Archive by Author

Nancy Pearl Admits She Plays Angry Birds

2 Nov

Our guest speaker at my library’s Staff Development Day yesterday was none other than world-famous librarian Nancy Pearl!  You may already know her from the “Shushing Librarian Action Figure.”  Or, for you more literary types, NPR’s Morning Edition. Yep, my library’s pretty hip.

At our staff day, Nancy described herself as a “reader” who comes at books from both a library and a bookstore background.  But public librarianship is near to her heart — she calls it one of the only two democratic institutions left in our communities, the other being public schools. They remain places where people from all walks of life and all ages can come get the information they need.

And Nancy is all about her readers.  When I was first initiated into the field of librarianship, I really loathed the idea of “Readers’ Advisory.” Too prescriptive and authoritative, gross!  But Nancy and her peers call it “Readers’ Services,” and she describes her work as collaborative: a conversation and a relationship between readers.  Ooh, I like that — sounds a little more Freireian!  And, argues Pearl, “people are desperate for ANY kind of direction about what to read… and that’s the role librarians can fill.”  Consider me a convert.

The heart of Nancy’s talk was the so-called Three-Legged Stool of Librarianship. She identifies three functions that are so important the stool will wobble unless they’re balanced: (more…)

Happy Halloween!

31 Oct

Marie Antoinette: Royally Frocked

28 Oct

(This post originally appeared in the Lawrence Public Library Spotlight.)

From the masculine equestrian outfits that made her Louis XV’s favorite, to the regal counterrevolutionary gowns in green and violet that exposed her as an enemy of the state, Marie Antoinette’s fashion statements were always unfailingly both fabulous and controversial. In Queen of Fashion: What Marie Antoinette Wore to the Revolution, Caroline Weber paints a comprehensive portrait of the fashion icon, from Dauphine until death. Weber is not only a brainy Barnard scholar, but also a fashion connoisseur herself, and her fastidiously researched political fashion memoir satisfied both my inner Vogue subscriber and my inner history nerd.

Anyone who’s watched Sofia Coppola’s film Marie Antoinette as many times as I have can easily rattle off the basics of her biography: born an Austrian, Marie Antoinette disavowed her native country in a political alliance with France to become its eventual Queen. A newcomer to the highly ritualized and chic court at Versailles, she navigated her tepid political reception as a suspect foreigner in the best way she knew how — in impeccable style. And although it all started out as fun and games, eventually it cost the Autrichienne her head on the guillotine.  From her powdered, sky-high hairdos to her divine selection of costly satin footwear, Marie Antoinette won over her adoring public at first, but quickly became a lightning rod for criticism of the French monarchy’s decadence during a national economic recession (… sound familiar?).

Weber takes her time cataloging the earlier, more playful era of Marie Antoinette’s youthful fashion exploits: her androgynous redingotes (“riding coats”) and her architectural “poufs” that popularized towering ladies’ hairstyles in commemorative shapes such as naval ships and gigantic birds in flight.  Did you know that legislation was introduced to raise the standard height of a Parisian doorway to accommodate the hairstyles’ extra footage?  But these playful themes take a somber–albeit fascinating– tone in the latter half of Weber’s book, as she traces the onslaught of political tumult through the headwear of the ladies of Paris.  From the hat “au collier de la Reine” that signaled disapproval of Marie Antoinette’s role in the scandalous Diamond Necklace Affair, to the bonnet “a la Bastille“ that celebrated the pivotal revolutionary prison-siege, to the royalist “coiffure a la Reine” that belied fatal counterrevolutionary monarchist sympathies, Parisian women expressed the changing political tides via what they wore on their heads.

Page after page, Caroline Weber captivated me with arcane facts and insights into the symbolic weight of ladies’ fashions during a period of political upheaval.  As a scholar first and fashionista second, she drew me into the political saga of the French Revolution, but always faithfully brought it right back around to fashion and the ways women–especially Marie Antionette–leveraged their power by what they chose to wear on their bodies.  Ultimately, Marie Antionette was the consummate ‘Fashion Victim,’ and ended her life with “the most brilliant fashion statement of her political career.”  What was it?  You’ll have to read the book to find out!

Captain Ahab’s Fine Seafood & Other Library Marketing Tips

26 Oct

I recently attended a Mid-America Library Alliance (MALA) workshop called Marketing at the Point of Contact.  The class was taught by Kasey Riley, who is Communications Manager at the award-winning Johnson County Library and was previously faculty at Avila University.  You may already know her work from JoCo’s new book truck campaign:

Always a sucker for a good Moby Dick joke, I came away from the workshop with a refreshed outlook and focus.  Kasey made several chewy points that are worth pondering — and maybe even debating:

  • Libraries often try to be all things for all people… but can that dilute our message and confuse our patrons about what we can offer them?  Focusing your message (and your overall goals & strategy) can help.
  • “AIDA” is a gold standard of the marketing industry: Awareness, Interest, Desire, Action.  Patrons probably won’t “act” unless you’ve gotten them past the other 3 phases, first.
  • Use quantifiable goals and objectives to plan your promotional strategy.  If you want 5 more people to join your regular monthly group,  plan a strategy that will help you accomplish that specific goal.
  • “Shoot ‘em Straight!” Kasey recommended using simple, positive, more customer-centric language when we communicate with our patrons, such as “Questions?” instead of “Reference,” and “Teen” instead of “YA.”
  • Another simple, positive patron communication: name tags! Aliases can be used if staff safety is a concern.

My biggest takeaway of the morning was Kasey’s multi-faceted approach to moving patrons to action, including:

  • professional & consistent signage
  • a website presence
  • social media posts (e.g. library and personal facebook & twitter pages)
  • blog posts (library and personal blogs)
  • targeted emails
  • word-of-mouth

One trick she uses is to formulate 3 bullet points about the service or event she’s promoting, and then she asks her colleagues, friends, and family to share those 3 bullet points throughout their networks, to create a ripple effect of awareness.  This is so easy to do, and I’ve already started including “please share this with your friends and family” in all of my promotional communications.

Kasey’s workshop inspired me to remain focused in my work goals and planning, and to avoid spreading myself so thin that I can’t adequately promote each special event.  I’m also excited to be developing a “promotions toolkit” for anyone at my library who hosts a special event for adults, to help demystify the process of promoting it.

Library folks: if you ever have the chance to take a workshop with Kasey Riley, I recommend it!

Lipstick Librarians and Party Girls

19 Oct

(This post originally appeared in the Lawrence Public Library Spotlight.)

Party GirlWhen I told my friend Valerie five years ago that I was going back to grad school to become a librarian, the first thing out of her mouth was “You’ve seen the movie Party Girl, right? You’ve got to see Party Girl.”

Although I didn’t know it then, now I know that Party Girl is a rite of passage for librarians of a certain ilk.  “Lipstick Librarians,” we’re sometimes called, and we go by online monikers such as “ScrewyDecimal,” “LibraryLadyJane,” and “Poesygalore.”  The New York Times once ran a feature spread on us called “A Hipper Crowd of Shushers.”   We take our jobs as information activists pretty seriously, but with a fun-loving retro twist.  And our icon isn’t Marian the Librarian, but rather the reinvented “Mary,” à la Parker Posey in Party Girl.

In Party Girl, the librarian hero has metamorphosed from a meek damsel in distress to a high fashion 90s club kid who gets arrested when she throws an illegal party to help pay the rent.  The film has that same mid-90s counter-culture vibe as Empire Records and Clerks, but here we’ve moved away from the record store and video rental shop, and into the sphere of the public library.  Grudgingly, Mary takes a job in a public library to pay off her debt — and discovers an erstwhile hidden passion for subject headings and card catalogs.  In one of my favorite scenes, she helps her best friend get his DJing act together by cataloging his record collection via Dewey Decimal number.  And gone is the smarmy traveling salesman of The Music Man, replaced by a dreamy falafel vendor that Mary seduces in highwaisted velour skirts with striped knee socks.

Yes, Party Girl‘s free-spirited fashion is as delectable as Mr. Dewey himself.  Vintage Chanel blazers; red bustiers over sequined shorts; hooded leopard jackets worn with fitted jewel-toned pencil skirts; blue satin gloves; red leather gloves; high-heeled black oxford wedges; zany patterned tights; feminine epaulets with black leather pants.  It’s all faux fur and creeping hemlines when Mary goes after her man at the falafel stand, but in the library she switches it up to more demure 3/4-length checked wool skirts, silk front-tie blouses, oversized brooches, and bookish specs.

It’s been almost five years since I was first initiated to Party Girl and an entire clan of lipstick librarians.  This Friday I’m going to round up some of my girlfriends for a happy hour Champagne and Chambord at the Eldridge, and then we’ll head over to the Lawrence Public Library to relive this 90s librarian classic.  Extra points whenever Parker Posey’s wearing striped tights or leopard spots.

Wolverine in a Banana Suit

19 Oct

This is why I need a tumblr:

Men of the Stacks

30 Sep

The other day I was chatting with one of my colleagues about Banned Books Week. She liked my review of Anaïs Nin’s erotica, and pointed out that several months ago I wrote a review for a sex therapy manual.  Apparently I’m carving out a little niche for myself!

It’s true that one of the recurring themes on this blog is “sexy librarianship,” which is part of a larger phenomenon that I’m trying to put my finger on.  Crosby Kemper, director of the Kansas City Public Library, spoke at a meeting I attended yesterday, and waxed poetic about KCPL’s “lipstick librarians” — a generation of younger librarians who embrace the camp of our retro professional stereotypes, yet feel a calling to stir things up a little.

Lady librarians, what is that all about??  Whatever it is, I’m going to blame it on Parker Posey and third wave feminism.

And with that, I bring you a link to fabulous, sexy new project called “Men of the Stacks.”  I’ve yet to see a more steamy librarian pin-up, and this one’s devoted to the fellas:

Click this link to see more… and it’s for a good cause! (of course.)

I’m Gonna Change 5, And Then I’m Gonna Shake the Mayor’s Hand

22 Sep

Remember the heinous energy efficiency mascot K-State unveiled last month?  Well, Ecokat’s infamy has caused Lawrence plenty of distress, too.  She was so badly famous that she’s been featured on the front page of the Huffington Post, and Manhattan has subsequently vaulted ahead of Lawrence in the Take Charge Challenge.

Today Lawrence launches the #CHANGE5 campaign, which asks every single resident of Lawrence, students included, to change just 5 more bulbs in your home to CFLs, and then register them here.  It’s one of the ways for us to win the $100,000 energy efficiency grant that’s up for grabs, and probably the most important at this stage in the game (the challenge ends next week).

Short on light bulbs?  That’s OK!  We’ll give you one for free at the Lawrence Public Library tonight.  I’ll be giving away free CFLs at our finale Take Charge Challenge event, which will feature a presentation by GouldEvans architects about energy upgrades to the new library, as well as a few remarks from Mayor Aron Cromwell.  Hope to see you there!  But if not, do make sure to at least #CHANGE5.

PBR Book Club

21 Sep

It might not look live I’ve been blogging very much this month… but actually I’ve been blogging more than usual!  Bookish hipsters all over Lawrence are rejoicing in the launch of the PBR Book Club, an intimate group devoted to beers and pretentious postmodern lit.

We’ve started with David Mitchell’s bawdy and labyrinthine Cloud Atlas, which we’ll be discussing at the Replay later this month, but in the meantime we’re using social tools like twitter (#pbrbookclub) and blogspot (pbrbookclub.blogspot.com) to mull over the experience as it unfolds in real time.

The blog is coauthored by several Lawrence nerds, including myself, @larryvillelife, @courtbelle, and hopefully soon (wink) @mentalplex and @indieabby88.  It’s a little, um, saltier than what you might be used to seeing from me here.  So be forewarned, have fun checking it out, and join in!

Reading Smutty Books, In Honor of Banned Books Week

20 Sep

“How wrong is it for a woman to expect the man to build the world she wants, rather than to create it herself?” – Anaïs Nin

Banned Books Week starts this Saturday, on 9/24! Here’s the book I picked to write about for my library’s banned books feature. Although on the surface they might just look like naughty little stories, Anaïs Nin’s Delta of Venus and Little Birds represent a breakthrough for women’s lib and a reclamation of female sexual identity. While still often considered a serious taboo in American culture, Eros — sensuality, erotic love — is an integral facet of the human experience, and I believe that we risk losing a core piece of ourselves when we begin challenging and suppressing these voices.

Nin, a French-Cuban author who lived in Paris during most of the 1940s, is hailed by critics as one of the first women to explore fully the realm of erotic writing; before her, erotica written by women was rare, with a few notable exceptions. The story goes that an anonymous patron paid Nin and her friend Henry Miller $1 per page to write erotic vignettes, and that the pair continued writing the stories as a little joke. Whatever the true genesis of Delta of Venus and Little Birds, the income sustained one of the most mysterious, sensual, and feminine voices of the 20th century.

What I admire most about Anaïs Nin as a writer, and these two volumes in particular, is that she had the courage to challenge a masculine construction of the female experience and instead offer something wholly female. She believed in sharing her own unique voice, and then used that authorial voice to create a world all her own. Fearlessly, Nin plunged the depths of an American taboo, staying true to her view that “The role of a writer is not to say what we can all say, but what we are unable to say.”

What about you — do you have a favorite banned book?  ALA has a great list of banned book resources ready to go for Banned Books Week.

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